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The highest song is Om, asserts section 1.1 of Chandogya Upanishad.
It is the symbol of awe, of reverence, of threefold knowledge because Adhvaryu invokes it, the Hotr recites it, and Udgatr sings it.
The Brahmana layer of Vedic texts equate Om with Bhur-bhuvah-Svah, the latter symbolizing "the whole Veda".
They offer various shades of meaning to Om, such as it being "the universe beyond the sun", or that which is "mysterious and inexhaustible", or "the infinite language, the infinite knowledge", or "essence of breath, life, everything that exists", or that "with which one is liberated".
The Shvetashvatara Upanishad, in verses 1.14 to 1.16, suggests meditating with the help of syllable Om, where one's perishable body is like one fuel-stick and the syllable Om is the second fuel-stick, which with discipline and diligent rubbing of the sticks unleashes the concealed fire of thought and awareness within.
According to the Vayu Purana, Om is the representation of the Hindu Trimurti, and represents the union of the three gods, viz. The three sounds also symbolise the three Vedas, namely (Rigveda, Samaveda, Yajurveda).).
For example, it is called Unalom or Aum in Thailand and has been a part of various flags and official emblems such as in the Thong Chom Klao of King Rama IV (r. There have been proposals that the Om syllable may already have had written representations in Brahmi script, dating to before the Common Era.
A proposal by Deb (1848) held that the swastika is "a monogrammatic representation of the syllable Om, wherein two Brahmi /o/ characters ( Om came to be used as a standard utterance at the beginning of mantras, chants or citations taken from the Vedas.
It calls the syllable Om as udgitha (उद्गीथ, song, chant), and asserts that the significance of the syllable is thus: the essence of all beings is earth, the essence of earth is water, the essence of water are the plants, the essence of plants is man, the essence of man is speech, the essence of speech is the Rig Veda, the essence of the Rig Veda is the Sama Veda, and the essence of Sama Veda is the udgitha (song, Om).
Rik (ऋच्, Ṛc) is speech, states the text, and Sāman (सामन्) is breath; they are pairs, and because they have love and desire for each other, speech and breath find themselves together and mate to produce song.
The Katho Upanishad is the legendary story of a little boy, Nachiketa – the son of sage Vajasravasa – who meets Yama, the Indian deity of death.